ARCHIVAL ART PAPER
The Right Paper Makes the Print
Choosing the right paper is as important as the print itself. At Silver Print, we carry a curated selection of Hahnemühle archival fine art papers — the global benchmark for museum and gallery-grade printing. Each paper is chosen for its surface quality, colour gamut, and archival longevity.
For custom options and paper consultations, reach out to us at contact@silver-print.com
MATT FINEART SMOOTH PAPERS
Hahnemühle
Photo Rag
308 GSM
100% Cotton
White
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Photo Rag is the paper most people start with — and the one many never leave. A soft, lightly felted cotton surface gives every print a quiet sense of depth, which is why it's the most requested paper in our studio
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Hahnemühle
Photo Rag Ultra Smooth
305 gsm
100% cotton
White
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Ultra Smooth is Photo Rag refined further — the same cotton base, its felt texture softened to an almost silken matte. We reach for it when a print needs to feel calm: fine detail, true blacks, nothing competing with the image.
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GLOSSY FINEART PAPERS
Hahnemühle
Photo Rag Satin
310 gsm
100% cotton
White
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Satin sits between matte and gloss — Photo Rag's familiar soft cotton hand, lifted by just enough sheen to add real depth to colour. Ideal for prints that want to feel a little more luminous, without going fully glossy.
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Hahnemühle
Photo Rag Baryta
315 gsm
100% cotton
White
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Baryta brings the deep, glossy presence of a traditional fibre print to a pure cotton base — warm, natural white, with no optical brighteners to fade over time. Our go-to for that classic darkroom look.
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MATT FINEART TEXTURED PAPERS
Hahnemühle
Museum Etching
350 gsm
100% cotton
Natural white
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At 350gsm, Museum Etching is the heaviest paper we carry, with a pronounced texture that gives prints real physical presence. The natural white cotton base has no optical brighteners, so the tone stays honest for decades.
Hahnemühle
German Etching
310 gsm
100% α-cellulose
White
Genuine mould-made paper
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Mould-made in the old tradition of copperplate printing paper, German Etching has a velvety, finely structured surface that's easy to recognise once you've felt it. Its crisp white base suits work with strong contrast and fine detail.
Hahnemühle
William Turner
310 gsm
100% cotton
White
Genuine mould-made paper
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William Turner is, at its core, a mould-made watercolour paper — and it shows. Of everything we stock, it has the most assertive texture, giving photographs and reproductions an almost painterly depth.
FINEART NATURE LINE
Hahnemühle
Bamboo
290 gsm
90% bamboo fibres, 10% cotton
Natural white
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The first FineArt inkjet paper made from 90% bamboo fibre, Bamboo has a soft, lightly textured surface in a warm natural white. No optical brighteners means that warmth stays true — lovely for landscapes and organic subjects.
Hahnemühle
Agave
290 gsm
70% agave fibre, 30% cotton
White
Genuine mould-made paper
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Bamboo's sibling in the Nature Line, Agave is made mostly from sisal fibre, with a brighter white tone and a rougher, more defined texture that adds depth without overwhelming the image.
CANVAS FINEART PAPER
Hahnemühle
Canvas Artist
340 gsm
Poly-cotton
Natural white
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A matte poly-cotton canvas with a genuinely coarse weave — not paper made to look like canvas, but canvas, built to the same archival standard as everything else here. Printed up to 64 inches wide on our Epson SureColor.
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HAHNEMÜHLE PHOTO
Hahnemühle
Photo Matt Fibre 200
200 gsm
100 % alpha-cellulose
Natural white
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The lightest paper in our range — a smooth, barely-there texture in warm natural white, built for proofs, photo books, and everyday archival printing. Where most clients new to fine art printing begin.
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